Chariandy not only breathes life into Black men rendered nameless and faceless by powers-that-be, but he also questions the central ideals and pillars of the Canadian nation-state. Which us, the readers, understand through flashbacks. He doesnt like to talk about Francis leaving but he constantly thinks about it. The loss of his brother took a toll on Micheal and left a hole in his heart. The article underscores police brutality which in Brother-a text set in the Toronto of the mid-1990s-is directed at racialized people, especially Black men. Micheals brother, Francis, left home without any information as of where he was going or how long. This article begins with the premise that Canada is a colonized territory that treats Black people as second-class citizens. The characters in Brother find refuge in what I call postcolonial clearings, which take the form of barbershops, hidden valleys, and music. In response to dominant Canadian discourses that position Black men as criminals, Chariandy's novel celebrates Black masculinities and reveals how law enforcement haunts the communities, homes, and small businesses of Black people. Borrowing from theories of critical race scholars, including Rinaldo Walcott, Idil Abdillahi, and Frantz Fanon, this article argues that Chariandy's book is an exemplar of how an economy based on intrinsic value privileges human bonds over money. This article explores the myriad of ways in which racial identity and geographical location are deterministic factors in David Chariandy's Brother (2017). Brother - David Chariandy Essay brother david chariandy is novel that focuses on the life of michael and how him and the people around him come to terms.
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